Cycfi’s new baby is coming very soon: A full-range, semi-modular pickup: Modula. If you haven’t heard about this yet, go check out the New Breed of Pickups post. These aesthetically pleasing, sleek Lo-Z multi-coil pickups were designed from the ground up based on our experience with the Nu and XR pickups. This baby sports dual-coil humbucking with dual rails design for each module and powered by a fully balanced, high headroom rail-to-rail output (5v to 18v), low-noise preamplifier.
Category Archives: Pickups
The Nu version-2 capsule is ready to go!
Thicker permalloy ring for improved electromagnetic isolation, better string focus and crosstalk reduction.
- Bobbin-less coil to make room for the improved permalloy ring.
- Lower magnetic pull.
Epoxy impregnated injection molded capsule.
Low noise discrete/Op Amp hybrid differential preamplifier for improved immunity to electrostatic noise.
Less stringent requirements on power supply regulation and noise (although I still highly recommend using a very low noise power supply suitable for low noise audio).
Expanded power supply range. You can now power the capsules from 5v up to 18v. A higher supply voltage will give you a significantly higher dynamic range. Nu v1 maxed out at 5v.
Instrument-level, like before, but not as hot as Nu v1. Roland synth users say the output of Nu v1 is too hot.
Better output drive. Nu v1 has a 10k output impedance. Nu v2 has a very low output impedance with a 17 mA current drive capability.
Rail-to-Rail Output. Which also translates to optimal dynamic range.
Technically, this is v3 now, if you count the Neo as v1. I almost forgot the Neo and the Six-pack project, where it all started.
Almost immediately after I announced our Roadmap for 2018, the XRs and the current Nu modules went out of stock as people hurriedly grabbed what’s remaining in our inventory. I am very sorry that I had to turn down orders after the stocks were depleted.
Dan Rhodes sent me these nice pictures of his electric with Cycfi XR dual pickups, Cycfi Resonant Filter, Warmoth body and neck with a Decoboom pick guard, Fender locking tuners, roller bearing nut and Wilkinson tremolo.
“Looks and sounds amazing Joel! I spent some time with it last night and the tonal range of these pickups is amazing. The openness with the tone and Q maxed out is a sound I’ve never had before.”
Thank you very much for such nice appreciation. I am missing the XRs already!
But watch out. We are still actively pursuing the Modula, a new breed of pickups and the next evolutionary step for the XR. It didn’t die, it simply evolved! 🙂
So many things to do. So little time! I think Karl Steinberg was right in remarking that I have too many projects happening all at the same time. Oh well, these Modula prototypes are good to go. We worked so hard for this. These are custom made pickups. We do not have injection molded enclosures yet, so these are hand crafted, painted and buffed to perfection. This is already the third version, but it was all worth it! The next, and the most stressful step: Production!
I find it amusing when people talk about the “sound” of the magnet in pickups :-). The magnet has no sound! If you don’t believe me, perhaps you might reconsider if it’s coming from Bill Lawrence. Here’s what he has to say on the matter:
When I read that ceramic magnets sound harsh and alnico magnets sound sweet, I ask myself, ” Who the hell preaches such nonsense?” There are harsh-sounding pickups with alnico magnets and sweet-sounding pickups with ceramic magnets and vice-versa! A magnet by itself has no sound, and as a part of a pickup, the magnet is simply the source to provide the magnetic field for the strings. The important factor is the design of a magnetic circuit which establishes what magnet to use.
It does not really matter which magnet you use as long as the magnetic circuit is properly designed within sensible parameters. One design consideration is the total magnetic pull the magnets exert on the strings. Too strong, and you’ll get “stratitis” (No, it’s not some kind of ailment amongst guitar players ;-). Another important factor is magnetic flux variance versus distance, following the inverse square law. Simply put, magnetic pull decreases as the square of the distance from the magnet. Hence, the choice of magnet may influence the string displacement as it vibrates over the magnetic field.
I can’t recall how many times we went back to the drawing board. Design, test, rinse repeat. I only wish turnaround time is shorter than it is now. After initial design, planning, and breadboarding, we start off with dead bug prototyping and do a barrage of tests to validate the design. Then, we do PCB layout using Eagle CAD (although we might be switching to KiCAD soon) and send the design to PCB manufacturing. A cycle takes around 1 to 2 weeks depending on complexity. PCB layout itself can be a demanding task, especially if space constrained, like the Modula preamplifier. What’s painful is when you are in the final stages, and there’s that yet one more test that breaks to design! It happens! And it happened again with the Modula preamp.
Nice and clean! I just got a set of sample coils straight from the manufacturer and so we got excited and assembled these guys into the Modula’s dual coil profile. With that profile (bobbin-less, 1000 turns per coil, gauge 44 at 4mm width), the coils are very difficult to wind using our home-grown pickup winding machine. Our early attempts were good enough for prototyping and one-offs, but I had to ask our favorite coil factory to do it for us for production.
So how does it sound? That’s what excites me most! I did a quick listen. The sound is very close to the XR, but with an even tighter response, having a very small aperture. Snappy, with lots of sweet harmonics, yet balanced from low to high frequencies. I think this can be a perfect general purpose pickup for a host of instruments. More on that soon!
Look what we have here! It’s the Modula Preamp. It’s a balanced design using the ADA4084 Low Noise, Rail-to-Rail Input/Output, Low Power Operational Amplifiers, with a 625μA supply current per channel and 3.9 nV/√Hz noise density. The Op Amp can go up to 36 volts (imagine the headroom)! But for practicality, 9-18v ought to be enough. Hey, this is a rail-to-rail amplifier, meaning the output can swing to the full supply range without clipping. I can’t even imagine driving a guitar amplifier with 9v peak to peak, but you can if you want to, and if your strings can generate that much oomph. Perhaps the bass guitar can? Yet, if your battery is running low, it can still work down to 3v!
After at least 5 revisions, this is so far, the best small preamp we can come up with. This guy went through a long incubation period (tests, tests and more tests!), until we finally settled on a design that I really like. I’ll share some test results soon.
The design is modular too! This preamp is reusable. You have balanced inputs —headers at the top for +in, -in and ground, and single-ended output, plus supply —headers at the bottom for out, ground and supply.
The preamp assembly connects to the S-shaped Modula adaptor board and which can accommodate mono or stereo (using two Modula preamps). Stereo Modulas allow for split pickup configuration (See A New Breed of Pickups).
Look what we have here! Concentric pots, anyone? We’re developing the next generation Resonant Filter and this might just be the key. Before, we had to use two separate pots to control frequency and resonance, which required more space! With the Modula project, we’ll be using concentric pots, along with a redesigned State Variable Filter E.Q., thanks to recent developments in low-power, low noise, Op Amp technology. A full-frequency response pickup (Nu, XR, Modula) plus a resonant state variable filter can simulate all types of pickups by mimicking their electrical characteristics (Resonant frequency and Q). See Helmuth Lemme’s table: Resonant frequencies of some well-know pickups for various parallel capacitors. With a state variable filter, we can even go beyond the sound of the traditional pickups, for example using very high Q settings. Synthesists know this very well!