Here’s some exciting news! Tired of the same old 50s Mojo? We will soon be releasing two new full-range pickups designed for modeling: the NeoM SC (single-coil) and NeoM HB (humbucker).
(Update: the switches may be removed. See comments below. Instead, we will provide optional resonant filters as an add-on. Tell us what you think!)
What is modeling? If you’ve seen the demo of the Neo multichannel pickups, we were able to easily sculpt the tone using EQ matching to capture the frequency response of another pickup or even an acoustic guitar. There’s so much flexibility and power there!
A full bandwidth pickup will give you complete freedom to shape the frequency response —it’s the perfect blank canvas.
The NeoM Modeling pickups have the same flat frequency response as their siblings, the Neo Series Active Multichannel pickups. These are active pickups utilising very low impedance (Lo-Z) coils with an ultra low-noise preamplifier to boost the lower level Lo-Z signal.
Thanks to modern SMT electronics, the NeoM pickups also feature a built-in resonant filter right there in the pickup, allowing you to sculpt the tone from twangy 50s Mojo to crystal clear HiFi, without requiring external tone controls or equalisers.
Unlike the original Neo series, these pickups are meant to be installed just like any other active pickup. We will provide an easy install (no soldering) system. All components are premium grade. No cutting corners!
A double-coil humbucking variant will also be available. Both versions incorporate the same Lo-Z technology from its predecessor, the Multichannel Neo Series. Both boast extremely low noise preamplifiers. Like the single-coil variant, the humbucker also contains a built-in resonant filter. Both versions are noiseless.
Technically speaking, a pickup is an audio voltage source followed by a second-order lowpass filter. The tone (colour) of the pickup is characterised by its cut-off frequency and its resonance contour —the so-called Quality factor or simply Q. The NeoM has a couple of switches for setting the cutoff-frequency and Q plus an additional bypass switch (if you need to get the full, flat frequency range). The switches are slightly recessed to avoid accidental switching.
The controls give you 9 of preselected voices (3 x 3), plus bypass to full-range, for a total of 10 voices per pickup!
The F switch controls the cutoff-frequency. Lo is preset to 2kHz, Mid to 3kHz and Hi to 6KHz. These are the frequencies that give you the classic tones of electric guitars that we all can’t ever get enough of. We’ve done a lot of frequency analysis with many hours of listening tests before we arrived at these sweet frequencies.
Q controls the resonance of the filter and determines the steepness of the curve. There are three Q presets Lo, Mid and Hi. The higher the Q, the narrower and sharper the peak is. A narrow peak gives a more pronounced filter effect at the cutoff-frequency. A gentler slope gives you a mellower, rounded tone.
As you can see in the graph above, a higher Q produces higher gain. The Q switch compensates for the gain at each setting (1.0 [0dB], 2.5 [8dB] and 3.75 [12dB]) with a corresponding gain reduction before the filter so we have constant gain for all Q settings. This prevents the filter from clipping and produces an overall balanced output regardless of switch position.