Simplify! I think that will be my mantra for 2018.
Looking back, the current product line that we have including the XR Pickups and all its support electronics, the Nu pickups and all its support electronics including the Nexus, and in addition to all projects, planned and in the pipeline, including Infinity −hardware and software, is just too ambitious and unmanageable given the resources we have. I want to achieve so much, but there is simply no time to do it all in a reasonable amount of time. Those of you who know me know that I am also a full-time C++ consultant and Cycfi Research is a much loved baby that blossomed out of pure passion (or is that obsession?) and love for the guitar, electronics, and music in general, that goes back decades since the 80s.
When we started, it was just the Neo pickups, nothing more. It started to get crazy when we developed and eventually released the XR pickups. When the XR happened, we started losing focus and precious time for doing research and development was slowly consumed by manufacturing and support. We’re getting ahead of ourselves. We have to walk before we can run.
So, in 2018, something has to give way. We will have to focus on only one product: The Nu Capsule. Less is more. Focus on one item, do it really well. I know there’s an untapped market for the Nu capsules, a general purpose, miniature magnetic pickup. And it goes beyond the guitar. A number of Nu users are actually non-guitar players.
So many things to do. So little time! I think Karl Steinberg was right in remarking that I have too many projects happening all at the same time. Oh well, these Modula prototypes are good to go. We worked so hard for this. These are custom made pickups. We do not have injection molded enclosures yet, so these are hand crafted, painted and buffed to perfection. This is already the third version, but it was all worth it! The next, and the most stressful step: Production!
Modula is our next gen, full-range pickups. Leave a comment if you are interested in these pickups!
8-String, 3-5 split Stereo Modula Pickups
9-String, 4-5 split Stereo Modula Pickups
9-String, 4-5 split Mono Modula, Nu Combo
This D string was driving my pitch detector nuts. It’s jumping from fundamental to octave and back all over the place. Can’t make up its mind! The effect is like a wacko version of Satch with a whammy pedal gone haywire.
What the hell am I talking about? Last month, I wrote about a fast and efficient software multichannel pitch detection scheme using dual peak-detectors. I needed it to be as efficient as possible, so I can run multiple detectors simultaneously using a small 32 bit microcontroller (MCU). Most of the time, it works really well, except in some cases, like that troublesome D string.
I find it amusing when people talk about the “sound” of the magnet in pickups :-). The magnet has no sound! If you don’t believe me, perhaps you might reconsider if it’s coming from Bill Lawrence. Here’s what he has to say on the matter:
When I read that ceramic magnets sound harsh and alnico magnets sound sweet, I ask myself, ” Who the hell preaches such nonsense?” There are harsh-sounding pickups with alnico magnets and sweet-sounding pickups with ceramic magnets and vice-versa! A magnet by itself has no sound, and as a part of a pickup, the magnet is simply the source to provide the magnetic field for the strings. The important factor is the design of a magnetic circuit which establishes what magnet to use.
It does not really matter which magnet you use as long as the magnetic circuit is properly designed within sensible parameters. One design consideration is the total magnetic pull the magnets exert on the strings. Too strong, and you’ll get “stratitis” (No, it’s not some kind of ailment amongst guitar players ;-). Another important factor is magnetic flux variance versus distance, following the inverse square law. Simply put, magnetic pull decreases as the square of the distance from the magnet. Hence, the choice of magnet may influence the string displacement as it vibrates over the magnetic field.
A two-operator FM synth offers nice, easy to use, harmonic control over the driven waveform.
I can’t recall how many times we went back to the drawing board. Design, test, rinse repeat. I only wish turnaround time is shorter than it is now. After initial design, planning, and breadboarding, we start off with dead bug prototyping and do a barrage of tests to validate the design. Then, we do PCB layout using Eagle CAD (although we might be switching to KiCAD soon) and send the design to PCB manufacturing. A cycle takes around 1 to 2 weeks depending on complexity. PCB layout itself can be a demanding task, especially if space constrained, like the Modula preamplifier. What’s painful is when you are in the final stages, and there’s that yet one more test that breaks to design! It happens! And it happened again with the Modula preamp.
Nice and clean! I just got a set of sample coils straight from the manufacturer and so we got excited and assembled these guys into the Modula’s dual coil profile. With that profile (bobbin-less, 1000 turns per coil, gauge 44 at 4mm width), the coils are very difficult to wind using our home-grown pickup winding machine. Our early attempts were good enough for prototyping and one-offs, but I had to ask our favorite coil factory to do it for us for production.
So how does it sound? That’s what excites me most! I did a quick listen. The sound is very close to the XR, but with an even tighter response, having a very small aperture. Snappy, with lots of sweet harmonics, yet balanced from low to high frequencies. I think this can be a perfect general purpose pickup for a host of instruments. More on that soon!
Look what we have here! It’s the Modula Preamp. It’s a balanced design using the ADA4084 Low Noise, Rail-to-Rail Input/Output, Low Power Operational Amplifiers, with a 625μA supply current per channel and 3.9 nV/√Hz noise density. The Op Amp can go up to 36 volts (imagine the headroom)! But for practicality, 9-18v ought to be enough. Hey, this is a rail-to-rail amplifier, meaning the output can swing to the full supply range without clipping. I can’t even imagine driving a guitar amplifier with 9v peak to peak, but you can if you want to, and if your strings can generate that much oomph. Perhaps the bass guitar can? Yet, if your battery is running low, it can still work down to 3v!
After at least 5 revisions, this is so far, the best small preamp we can come up with. This guy went through a long incubation period (tests, tests and more tests!), until we finally settled on a design that I really like. I’ll share some test results soon.
The design is modular too! This preamp is reusable. You have balanced inputs —headers at the top for +in, -in and ground, and single-ended output, plus supply —headers at the bottom for out, ground and supply.
The preamp assembly connects to the S-shaped Modula adaptor board and which can accommodate mono or stereo (using two Modula preamps). Stereo Modulas allow for split pickup configuration (See A New Breed of Pickups).
Phase Accurate Synthesizer (blue) Tracking Guitar (yellow)
I needed to implement real-time, multichannel pitch detection in software using a small ARM Cortex-M4 microcontroller (MCU). My all-time favorite is the STM32F4 family from STMicroelectronics. It has DSP and single precision FPU instructions and can reach up to 225 DMIPS/608 CoreMark at up to 180 MHz operating frequency. Not too bad, actually, especially for this class of MCUs, but it can easily get overwhelmed with complex DSP code we normally take for granted in a desktop or laptop machine with multi-cores running in the GHz range.
I’ve been working on this for quite some time now and I am quite pleased with the results. I now have a fast, accurate, low-latency, phase-correct and efficient multichannel pitch detection. I thought I’d like to share. In case you are wondering, no, it is not for note to MIDI conversion, although that is obviously one application.